Time is an interesting thing. I have been thinking a lot about time recently. In the Filianic calender, we have just entered Autumn, and the Autumnal Equinox is just around the corner. Traditionally, this is when we reflect on our lives and where we are going.
This has been a strange year for me. Spring started late, and the summer has been very hot. I have been busy working on building my blogs and trying to develop my astrology practice, so I have not really been able to keep up with the garden. As a result, there is not much in the way of a harvest this year. It has been over 5 years since I closed my former business and almost 3 years since my grandmother passed away. I have spent much of that time heavily immersed in studying Japanese, and this year seems to be a slow reentry into the outside world.
It is easy to become filled with regret over things that might have been, if only… If only I had done this. If only I had not done that. Of course, there is nothing that can be done about the past. To the extent that we have Free Will, it is limited to the present moment, as least as far as we can tell.
The Arrow of Time
I think that one of the most interesting things about time is that it flows in only one direction. This is why we can only make choices about the present. For us, the past is settled. There is nothing we can do to change it in the present. The future is not yet. The choices we made in the past impact our present. The choices we make now will impact the future. Even so, we do not have the ability to know our future choices.
Time flows from the past, goes through the present, and continues on into the future. This is probably one of the very few things in this world about which everyone, everywhere would agree. Actually, if we met aliens from far away in a distant galaxy, it is almost certain that they would also agree. It is pretty amazing I think.
On an astrological and metaphysical level, time is governed by the Saturnian principle, and it is deeply intertwined with manifestation. On a scientific level, it is said that the reason time flows they way it does has something to do with the Big Bang at the beginning of this universe.
All of this supposedly relates to the 2nd Law of Thermodynamics, which states that in a closed system, entropy always remains the same or increases. It never decreases on its own. Entropy is a fancy word for disorder. This is why rooms do not clean themselves, it seems. The natural state of a room will be either to remain the same or to become disordered. It takes an outside force, i.e., someone cleaning the room, to create order again.
Speaking of Disorder
If entropy is the disorder of the universe, then cats seem to be furry bundles of entropy. I guess humans are too, although they are not so furry. My cats have been reminding me of the passage of time recently. It has been a year since our youngest cat, Cookie, came to us, and she was about 4 months old at the time.
It is hard to believe that there was a time, not so long in the past, in which she did not exist in this world as herself. At the time she came to us, she was so little that our other three cats looked huge next to her.
It has been about 20 years since our oldest cat came to live with us. At the time, my spouse was in seminary and studying Koine Greek. She had learned the word, Aletheia, which means Truth. I thought that word was so pretty that I had wanted to name someone that. Shortly after I had that thought, a 10 month old kitten came up to us on the street with an infected sore on her face. My spouse picked her up and brought her to the vet. She has lived with us ever since. As it happened, she is the one who got the name Aletheia, or Allie, for short.
Allie has been a mischievous, but wonderful, companion for such a long time. Recently, her health has been declining, though. I know that I will have to face the time in the not so distant future when she will no longer be with us.
In the Buddhist tradition, it is said that all is suffering, and one of the forms of suffering is due to the temporary nature of the material world. Eventually, we will be separated from everyone we love, at least in this world. There are so many who are not here with me now in the present, my grandmother, my grandfather, human friends, kitty and doggy friends, and so on.
My little nephew is now all grown up and has left home; our adorable little kitten is now a full grown cat. She still acts a lot like a kitten, though, and I have to say it is nice that she is no longer quite as active as she was when she first came to live with us. Time marches on, I suppose.
I have to say that I have mixed feelings about the Disney movie, Frozen. I actually did not see it for the first few years after it came out. Like Tangled, the title is one word with a negative connotation. It did not seem as pure or good as the earlier Disney movies like Snow White and Cinderella, and not even as pure or good as the middle Disney movies like The Little Mermaid and Beauty and the Beast.
Frozen is said to be inspired by the Hans Christian Anderson story, The Snow Queen, but it bears little resemblance to this tale. The Snow Queen, itself, is not a traditional fairy tale, but an original story by Hans Christian Anderson.
Eventually, I did watch it, however, and I found it interesting. In many ways, it seems almost an allegory for the state of modern femininity. The main plot of the story is not about love or romance, but about the relationship between two princesses who are sisters, Elsa and Anna.
Two Young Princesses
The elder sister, Elsa, is clearly Lunar, and the younger sister, Anna, seems quite Solar. That in and of itself is interesting. In the Modern West, the Solar is associated with masculinity and the Lunar is associated with femininity. That association is so strong that even the most ardent feminists do not question it. Instead, they tend to elevate the Lunar over the Solar, which is the position of the two sisters in this movie.
The story starts off with the two sisters as children. It appears that the elder sister, Elsa, has magical powers based on snow and ice. Elsa and Anna are having a lot of fun playing with Elsa’s powers until Elsa accidental hits Anna in the head with her powers after slipping on the ice.
Their parents, the king and the queen, come, and the father is annoyed with Elsa and her powers. He looks through his library for a book. It turns out that the book gives directions on how to find trolls. In thinking of this story as an allegory for the present day, I find it interesting that even the king had to seek advice from trolls.
It turns out that the trolls are actually quite nice and well meaning, and the troll shaman is able to heal Anna. The shaman then removes Anna’s memories, and talks to Elsa about her powers. He says that her powers can be beautiful, but they can also be dangerous. He also tells her “fear will be your enemy,” as he is frightening her about what can happen if her powers get out of control. Her father then steps in and hastily assures the shaman that Elsa will learn to control her powers.
The father’s idea of teaching Elsa how to control her powers was to encourage her to lock herself in her room, stay away from her sister, and teach her that she should always keep her emotions hidden and repressed. Somehow, Elsa was expected to learn to control her powers with no one to teach her, while locked away in her room.
No one explained anything to Anna, who was largely left to her own devices.
If we look at the father as a symbol of patriarchy, this situation is quite telling. The father controlled, locked away, and repressed the Lunar Feminine and ignored and neglected the Solar Feminine. Anna grew up without manners or grace. It is no wonder, as it seemed from the story that she was given little in the way of supervision or education, even though she was a princess as well.
Trouble Begins
The king and the queen are killed in a shipwreck three years before Elsa comes of age. Even though the father is no longer around, Elsa has internalized his repression and has become paralyzed by fear. She continues to lock herself away in her room.
When Elsa comes of age, she must leave her room, unlock the doors, and take her place as queen. She is so paralyzed by fear that she can not even hold the symbols of her office during the coronation ceremony without freezing them.
Anna is so excited with her freedom and open doors that she goes wild. She meets a prince from another land, and she immediately falls in love with him. Anna and Prince Hans decide to get married, and they go to Elsa, now Queen, to inform her of their plans. Elsa refuses permission, and her and Anna have an argument in front of everyone. Anna pushes Elsa too far, and Elsa loses whatever thin control she had over her powers.
Elsa, her secret exposed, runs off. It is a common theme in fairy and folk tales that the difficulties of a reigning monarch, no matter how personal, will impact the entire country. In this story, the entire country of Arendelle is suddenly beset by snow and ice.
Let It Go
This leads us to the signature song of this movie, “Let It Go,” which you can see below.
Frozen has been translated all over the world, and I have listened to versions of this song in many different languages. I have to say, I am particularly fond of the Swedish version. The line, “The cold never bothered me anyways,” is translated, “Lite snö hal väl aldrig stört mig,” or, “A little snow has never bothered me.”
The music to this song is quite powerful, but the lyrics in English are very troubling. I think that they speak to many of the problems and misconceptions of the modern feminist movement and others seeking to reclaim feminine power.
In this song, Elsa has decided to free herself of the restrictions she has grown up with and to reclaim her power. This is a positive development, but as she is doing this, she has neglected her responsibilities as queen. She mistakes being good with the restrictions of patriarchy, as she sings, “Be the good girl you always have to be.” She rejects the past entirely, as well as all rules or notions of right and wrong. She sings, “No right, no wrong, no rules for me,” and she sings over and over, “Let the storm rage on.”
Now, despite what she sings, as she is testing her power, she uses it to make nice and beautiful things. She re-creates the snowman she made as a child for her little sister and creates a stunning palace for herself. It seems clear that even in her rage, she is gentle and feminine. Her confusion about what it means to be good is also clear, however, when she sings in the last verse, “The perfect girl is gone.”
Rescue Attempt
Meanwhile, back in Arendelle, Anna shows her true fiery, Solar nature by deciding to go off and rescue her elder sister and the country. She leaves Arendelle to her new love, Prince Hans. Prince Hans is a 13th born prince of a neighboring kingdom, but it is clear that he has had more training to rule a country than Anna, the 2nd born princess of Arendelle.
Here is where the adventure begins. Along the way, Anna meets a man in the business of collecting and selling ice, Kristoff and his reindeer, Sven. They also meet Olaf, the snowman who dreams of summer, who was created by Elsa during her storm. With the party complete, they set off to find Elsa’s ice castle.
When they find Elsa, Anna enters the castle by herself to talk to her. Anna tries to reason with Elsa and coax her out. She poignantly pleads to restore their relationship. Elsa, still wracked with guilt over the childhood accident, refuses and asks to be left alone. Anna tells her what happened to the country, but convinced she can do nothing about it, Elsa refuses to try to help.
In the ensuing argument, Anna again pushes Elsa too far, and Elsa lashes out and accidentally freezes Anna’s heart. I think that one of the sadness things that has happened in the struggle to reclaim feminine power is that women have turned against each other. This has been particularly damaging to the Solar Feminine, it seems.
Thawing a Frozen Heart
Kristoff takes Anna to our old friends the trolls, who apparently raised Kristoff. The troll shaman says that “only an act of true love can thaw a frozen heart.” Kristoff and Anna assume that means that a kiss from Prince Hans will save her. They return to Arendelle.
In the meantime, Prince Hans had gone to Elsa’s castle, captured Elsa, and imprisoned her. When Anna returns to Arendelle, she discovers that Hans never loved her at all, but was using her to gain power. Not only does he refuse to kiss Anna, but he locks her in a room and puts out the fire. At the same time, Elsa escapes her confinement, and Hans goes off to find her in order to kill her.
Olaf arrives and rescues Anna, and Kristoff realizes with the help of his reindeer Sven that he loves Anna. With this new knowledge he returns to Arendelle to save Anna himself.
Anna sees Kristoff and as they were coming together, she also sees Hans trying to kill Elsa. In an act of true Solar courage, Anna turns away from Kristoff to rescue her sister. She places herself between Hans and Elsa and freezes, thus protecting Elsa from Hans’ sword. Elsa filled with love for Anna embraces her and Anna begins to thaw.
Olaf, the snowman, makes the connection as to what has happened. It was Anna’s act of true love that thawed her own heart. Elsa then understands that love is the key to controlling her powers.
A Happy Ending
After that Elsa restores Arendelle with her newly controlled powers, and Anna frees herself from Hans in a rather masculine, but I have to admit, satisfying manner. Elsa assumes her responsibility as queen, and she uses her powers to make a ice skating rink for her subjects. Elsa even gives Olaf, the snowman, his own personal snow cloud so that he can enjoy summer without melting.
Perhaps if this is an allegory, it is good news for femininity. Maybe despite all of our current struggles, we will be able to reclaim the power of both the Solar Feminine and the Lunar Feminine and bring them together in harmony for the good of all. I hope so.
Tomorrow, it will be the Deanic/Filianic celebration of Nativity. This is the celebration of the birth of the Daughter. In the Filianist Mythos, we hear how before the dawn of time our souls danced and laughed with the Mother who created us. We were tempted by the Snake to ask the Mother for Darkness and to embrace it so that we could rest.
After we turned from Her, a chasm opened between the Mother and our souls, a gap She bridged by giving birth to the Daughter, who could be our Light in the Darkness. On Nativity we celebrate the birth of the Daughter.
Do Filianists believe this to be a factual, literal recording of history for which we can dig up physical artifacts? No, of course not. Filianists believe that historical fact is the lowest form of knowledge, as the material world is much lower than the spiritual realms. This Mythos is at a much Higher Level of knowledge than that. We believe that this Mythos is a description of Truth that is beyond space and time and is one way of understanding Truth. Are there other stories and Myths that describe Truth? Of course, there are. While we believe that there is only One Truth, we also believe that the Truth may be described and taught in many ways.
Nativity is celebrated near the Winter Solstice, the darkest time of the year, when Light starts to reassert itself, as the Daughter was born to re-Light our Path back to the Mother. This is also the time of the year when Christians celebrate Christmas. Many Filianist traditions surrounding Nativity are similar to Christmas traditions, such as the date, the Nativity tree, and the symbolism of candles and light. These Christmas traditions were taken from older traditions surrounding Midwinter.
In the West, there is a tendency towards controversy on many matters, and the controversies around Christmas can be particularly intense. These controversies often center around religious symbolism as opposed to secular symbolism. There are also controversies about traditional symbolism being of a “pagan” nature. I have nothing to say about these controversies, except to say that they do not arise in Deanism/Filianism. We do not have the same separation between the “religious” and the “secular,” nor do we have any notion that our way of seeing the Truth is the only way or that our forms of worship and celebration are the only right ways to celebrate.
When I listen to Christmas music and see Christian religious symbolism, I can see this as another form of the Truth, with a clear conscience. I can see this as a re-enactment of the Nativity in time and space without any contradiction to the Mythos of the Daughter. If I see a Christian Nativity scene when outside, I can give honor to it, even if it no longer my tradition. I am speaking for myself in this. I am not saying how anyone else should view these matters, but the differences between these celebrations need not really concern us, I think.
This is a time of return to Light after a time of Darkness, and is a joyous one! So, for all of my readers….
Happy Nativity!
Merry Christmas!
Gud Yul!
Happy Solstice!
Happy Midwinter!
Enjoy the season, and rejoice in the return of Light!